Mikhail Pletnev's near-illegible scrawl
Windows to the soul?
So what do artists’ autographs look like? They range from grandiloquent sweeps (Evelyn Glennie, Carlo Curley), beautiful cursives (Barry Tuckwell, Angela Hewitt, Anne Sophie Mutter), illegible claw-like scratches (Ivo Pogorelich, Mikhail Pletnev), to the very basic writing of one’s name (Seow Yit Kin, Marc-André Hamelin, Ronald Stevenson).

Pinchas Zukerman, Marc Neikrug's hieroglyphics,
David Finckel's reverse check and Oscar Shumsky's yin-yang
One of the most unusual specimens comes from the late American violinist Oscar Shumsky, which looks like the yin yang symbol – an S inscribed within the confines of an O (OS for his name, get it?). Other intriguing ones belong to pianist Marc Neikrug - which looks like some ancient script - and cellist David Finckel (of the Emerson Quartet), which comprises merely the Nike check and a dot. “Just done it!” it seems to proclaim.


Local composer Tan Chan Boon’s resembles an alpine peak, mirroring the loftiness of his Bruckner-like symphonies. Arch virtuosos like Arcadi Volodos and Peter Donohoe, who simply refuse to do autographs (a gesture of contempt for the very people who support their careers), probably suffer from some hidden inferiority complexes.
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