Alyssa Kok (Singapore, Junior under 9 years, 1st Prize) was a total natural in the finale of Beethoven's Pathetique Sonata. Hers was very polished and had lots of flair. |
Huang Yu Wei (Taiwan, Junior under 12 years, 2nd Prize) made Liszt's La Leggierezza sound positively like child's play. That's exactly what Martha Argerich did in the 1950s. |
Alexander Ronoyudo (Indonesia, Junior under 12 years, 1st Prize) knows exactly the meaning of scherzando in Liszt's Gnomenreigen. One judge, a Liszt expert, gave him a full score of 100. |
Yao Yi Qing (China, Intermediate, 1st Prize) was the stand-out in that category, and proved her mettle in the florid embellishments of Chopin's Rondo Op.16. |
Dolpiti Kongviwatanakul (Thailand, Senior, 2nd prize) gave a most probing and variegated account of the Five Bagatelles by Australian composer Carl Vine. |
Li Churen (Singapore, Senior, 1st prize) was positively scintillating in Moszkowski's Caprice Espagnole, and she knows exactly how to go for broke with the pyrotechnics. |
Li Ti (China, Open, 3rd Prize) showing fluidity and fluency in Debussy's Etude No.11. |
Wan Jing Jing (China, Open, 2nd Prize) takes a bow for her spectacular account of the Precipitato movement from Prokofiev's Seventh Sonata. |
Zheng Qingshu (China, Open, 1st Prize) showed why she meant business in a masculine, rock-solid and no-holds-barred performance of Liszt's Mephisto Waltz No.1. |
There were more girl winners than boy winners. |
Winners of the older categories. |
Take a bow, concert pianists of the future! |
Serene Koh (Singapore, Senior, 3rd prize) and her teacher Angelyn Aw. |
Sisters on the keyboard: Wan Jing Jing, Li Ti and Serene Koh (from L). |
Alexander Ronoyudo (Indonesia, Junior under 12, 1st Prize) with his mother and rather young-looking grandfather. |
No comments:
Post a Comment