WALKING IN THE AIR
The Music of Howard
Blake
VLADIMIR ASHKENAZY,
Piano
Decca 478 6300 / ****1/2
For all the prolific output of British composer Howard
Blake (born 1938), over 650 works to date, he will forever be remembered for Walking In The Air, that mega-hit song
in the children’s animated Christmas film The
Snowman. Its simplicity and beauty permeates most of this album of Blake’s
piano music which spans from 1955 to 2013, performed no less by his close
friend Vladimir Ashkenazy. The piano version of Walking, which falls easily within the hands of young pianists, is
now part of Lifecycle. This suite of
24 short pieces or preludes also includes Eight
Character Pieces (1975), Music Box
from the movie The Changeling (1979)
and the early Russian-flavoured Romanza
(1963), written for the Ashkenazys after their defection to the West.
Blake’s Sonata
(1971) and Dances (1976) for two
pianos (with Ashkenazy’s eldest son Vovka on second piano) deserve to be better
known, the latter being a set of variations on a simple theme in a panoply of
dance styles, including waltz, ragtime, boogie-woogie and cha-cha. The major
single-movement work in this set is Speech
After Long Silence (2011), written as a set-piece for the Hong Kong
International Piano Competition. This is an alternatingly brooding and ecstatic
essay in the manner of Rachmaninov, which perfectly suits the temperament of
Russian virtuoso. An enjoyable listen, from start to end.
RCA LIVING STEREO
60 CD COLLECTION Volume
2
Sony Music 88843003502 /
***1/2
Make no mistake about it, Volume 1 of RCA Red
Seal’s Living Stereo retrospective collector’s edition is far superior to this,
its sequel. Its contents replicate the original LPs such that each disc
presents very poor playing time on its own. Thus the music on 60 discs could
have easily been fit onto 50, with room for more. For example, Arthur
Rubinstein’s recordings of the five Beethoven piano concertos with the Symphony
of the Air conducted by Josef Krips are spread over 5 discs, while the classic
1958 Rossini Barber of Seville with Robert Merrill and
Roberta Peters from the Metropolitan Opera takes place in 4.
This extravagance is however mitigated by the
quality of performances by America ’s top artists and
orchestras led by the 20th century’s great names, including Fritz
Reiner, Pierre Monteux, Erich Leinsdorf, Charles Munch and Arthur Fiedler
amongst others. One should not miss the disc of Grieg’s Piano Concerto with Arthur Rubinstein coupled with a string of his
favourite encores. Any recording involving the Hungarian Fritz Reiner, dictator
of the Chicago Symphony, be it a hard-driven Beethoven Ninth Symphony, breathtaking Prokofiev Alexander Nevsky, or even Hovhaness’s Mysterious Mountain, would be worth listening to. The object of
this exercise is nostalgia, and whatever the caveats may be, these are easily
forgiven. Do however make Volume 1 (88697720602) your first priority.
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