SVIATOSLAV RICHTER
Complete Album Collection
Sony Classical 88843014702 (18 CDs)
****1/2
The reputation of legendary Russian
pianist Sviatoslav Richter (1915-1997) had already preceded him when he made
his debut American concert tour in late 1960. Tickets to his six Carnegie Hall
recitals were sold out in advance and studio recordings of concertos and
popular repertoire had been lined up. This box-set captures all these concerts
and the rave reception deservedly accorded by the New York audience.
His first
recital on 19 October had five Beethoven sonatas, with a blistering account of
the rarely-performed F major Sonata (Op.54) preceding the tumultuous F
minor Appassionata Sonata (Op.57). His all-Prokofiev recital on 23
October was a revelation; many in the audience were encountering the
recently-deceased Soviet composer's Sixth and Eighth Sonatas for
the very first time.
The best way to sample these discs is to
replicate the exact sequence in which the Americans were being exposed to
Richter's gripping genius. His repertoire was selective but far-reaching, with
Haydn, Schumann, Chopin, Debussy, Ravel, Rachmaninov and Scriabin thrown into
the mix. The recitals on 26 and 28 December have the same programme but
different encores. The only caveat: the Carnegie Hall in-house recording
equipment was rudimentary and the sound is wretched.
The studio recordings of
Brahms Piano Concerto No.2 (Chicago Symphony with Erich Leinsdorf) and
Beethoven Piano Concerto No.1 (Boston Symphony / Charles Munch) with RCA
Victor have excellent sound and are acknowledged classics. Two discs of 1988
live recordings of Brahms' Sonata No.1, Beethoven's Piano Concerto
No.1, Chopin Etudes and Liszt solo works showed that his visionary
spark and phenomenal technique had not dimmed through the years. These
performances demonstrate why Richter was regarded by many as the greatest
pianist of the 20th century.
RACHMANINOV
Complete
Works For Piano
VLADIMIR
ASHKENAZY, Piano et al
Decca
478 6348 (11 Cds) / *****
The Russia-born pianist-conductor
Vladimir Ashkenazy has the distinction of being the only person to have
recorded every single note Sergei Rachmaninov (1873-1943) wrote for the piano,
which includes solo works, concertos, chamber music and songs.
This labour of
love with the Decca label began in 1963 soon after his defection from Russia to
the West, continuing till 2012 with a final disc of miscellaneous short and
unpublished works. This box-set relives some of the best Rachmaninov playing on
record, including Ashkenazy's second (and more opulent) cycle of the four piano
concertos and Paganini Rhapsody, with the Royal Concertgebouw Orchestra
conducted by Bernard Haitink.
Among the solo works, his view of the
nine Etudes-Tableaux Op.39 and Corelli Variations (two recordings
of each from 1973 and again in the mid-80s) remain unsurpassed for passion, colour
and sheer Russian-ness. Unforgettable too are the two Suites (Op.5 &
17) and Symphonic Dances for two pianos where he is partnered by Andre
Previn.
Only the Piano Sonatas Nos.1&2 fall somewhat short of his
highest ideals, the former recorded in 2011 after he had been diagnosed with
arthritis. Making cameo appearance are his wife Dody and eldest son Vovka, both
pianists, in the Romance and Waltz for six hands and assorted
piano duets. For Ashkenazy's authority, sheer breadth and depth of emotional
investment, this set is close to indispensable.
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