Just love piano music but cannot wait till the annual Singapore International Piano Festival? Here is a recital by one of the piano world's most interesting and intrepid pianists, Kenneth Hamilton.
His annual offering on Sunday 5 April at the Esplanade Recital Studio (7.30 pm) is a recital wholly of fantasies for the piano. Here is the full programme listing:
BEETHOVEN Fantasy, Op.77
SCHUMANN Fantasie in C major, Op.17
CHOPIN Polonaise-Fantaisie, Op.61
MENDELSSOHN Fantasy on
The Last Rose of Summer
HANDEL-LISZT Almira Paraphrase
VERDI-LISZT Rigoletto Paraphrase
Sunday, 5 April 2015 at 7.30 pm
Esplanade Recital Studio
Tickets still available at SISTIC
For more about Kenneth Hamilton's interesting programme, check out this INTERVIEW with Natalie Ng where he displays his usual erudition and good humour:
http://plinkplonkplunk.com/2015/04/01/piano-fantasies-interview
For more about Kenneth Hamilton's interesting programme, check out this INTERVIEW with Natalie Ng where he displays his usual erudition and good humour:
http://plinkplonkplunk.com/2015/04/01/piano-fantasies-interview
Here's what I had to say about Kenneth Hamilton's previous performances in Singapore in my Foreword to his latest recital. Hope that helps in persuading you to attend another masterly evening of piano music!:
It
gives me great pleasure in welcoming back Scottish pianist Kenneth Hamilton for
yet another exciting and intriguing recital of piano music.
I
first got to meet Ken after his first Esplanade Recital Studio recital in 2007,
when I was the Artistic Director of the Singapore International Piano Festival.
Then I was busily involved in planning thematic programmes around specific
piano repertoire, incorporating the great Romantic works for piano by Chopin,
Liszt, Godowsky, Rachmaninov, Scriabin, Medtner and their like. Some of the
themes had included The Golden Age of The
Piano (in 2006) and Lisztomania: The
Art of Virtuosity (2007), and then out of the blue came an invitation from
the University of Birmingham to attend a piano recital entitled An
Orchestra At The Keyboard by some Professor Kenneth Hamilton.
Having
never heard of Kenneth Hamilton before, I wondered what sort of crazy person
would programme Chopin’s Funeral March
Sonata, Liszt’s transcription of Wagner’s Tannhäuser Overture and Alkan’s Aesop’s
Feast in the same recital, and then offer the Sousa-Horowitz The Stars and Stripes Forever as an
encore. In short, the zaniest programmer of piano festivals (a title I would
gladly claim) had met his match in the most intrepid and adventurous of
pianists, a sort of David Livingstone meets Indiana Jones on the keyboard.
The
reference to the great explorer Livingstone is probably apt because he too was
Scottish, and Hamilton ’s explorations in the more arcane alleyways of the
piano literature and the missionary zeal in which he applies himself to his
pursuits are just astounding. Not just satisfied with promoting Liszt, Alkan,
hyphenated-Bach and Busoni, he has also been an indefatigable proselytiser of
John Ireland (who was English despite his name) and fellow Scotsman Ronald
Stevenson.
Here
are the themes which Ken has created in his Singapore recitals down the years:
2007:
An Orchestra At The Keyboard
2008:
Virtuoso Piano Transcriptions
2009: Virtuoso Piano Transcriptions - Encore!
2009: Virtuoso Piano Transcriptions - Encore!
2011:
The Virtuoso Liszt
2012:
200 Years Of The Piano
2013:
Romantic Masterpieces
2014:
Back To Bach
Titles
alone do not do justice to the wealth of piano treats he has bestowed on
Singaporean audiences, including Singaporean premieres of the Hexameron (by 6 Romantic composers
including Liszt and Chopin), Alkan’s transcription of Mozart’s Piano Concerto No.20 and Alkan’s own
devilish Concerto for Solo Piano. You
may call him a one-man piano festival.
As
the author of After The Golden Age, a
treatise on piano performance practice in the late 19th century and
early 20th century, Ken has had on occasion put preaching into
practice. Who can forget the time when he came out and serenaded the audience
while they were finding their seats, or the art of preluding, when he doodled for a few moments before actually
playing a work, or interluding by
improvising between pieces? All these are is part and parcel of being a pianist
from a bygone era, and Ken with his inimitable manner of introducing each work
never fails to engage his audience.
This
evening, he delves into the world of fantasies with yet another delicious
selection of works written in the free form (hence the word fantasy, as opposed
to the boring old sonata form), some familiar and others less so. One thing is
for certain, be prepared to be entertained, enthralled and enlightened.
Chang Tou Liang
www.pianofortephilia.blogspot.com
Former Artistic Director,
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