DONIZETTI'S L'ELISIR D'AMORE
Esplanade Theatre
Friday (19 May 2017 )
This review was published in The Straits Times on 22 May 2017 with the title "Sparkling comic opera charms".
It
was a bold move by the Singapore Lyric Opera (SLO) to mount a production
outside of the usual canon of Verdi and Puccini operas. Although Gaetano
Donizetti's L'elisir d'amore (The Elixir of Love) is not
altogether unfamiliar (it was last produced here by New Opera Singapore in
2012), opening night of the Italian bel canto classic was unfortunately greeted
by a house with many empty seats.
However,
this new production directed by veteran Tom Hawkes was a light and sparkling
affair true to the spirit of the comic opera. Its plot was simple. Village
simpleton Nemorino (sung by Malaysian tenor Kee Loi Seng, reprising the same
role in 2012) is enamoured of the confident and well-heeled Adina (Australian
soprano Elena Xanthoudakis), and he thinks the elixir peddled by the smarmy
quack Dulcamara (Singaporean baritone Martin Ng) will work wonders.
The
contemporary setting at a seaside resort resembling Miami's South Beach was a
nice touch with Justin Hill's atmospheric set, populated by the incessant
vivacity of the SLO Chorus and Children's
Choir in Moe Kassim's pleasing costumes. It all made for a very
satisfying background for the farce to unfold.
A
large part may be how a woman of Adina's stature comes to choose between
suitors like the hangdog Nemorino and vainglorious military man Belcore (Korean
baritone Song Kee Chang). But true love does these things to people, and
Xanthoudakis' Adina was both a sympathatic and vulnerable portrayal.
The
chemistry between her and the always-cowed Nemorino was somewhat uneasy even at
the opera's happy end. Kee had his moments, not least in the hit aria Una furtiva
lagrima, which rang bright and clear. He was also the centre of comedy when
besieged by all the women after downing a second bottle of bordeaux . He thinks the elixir has worked, but the truth is: they
all know of his unexpected coming to wealth and have begun texting with their
handphones.
Coming
close to stealing the whole show was Ng's Dulcamara, whose mountebank manners
and outrageous swagger (accompanied by a bevy of blonde nurses no less) made
him one of the most pleasant “villains” around.
Also
significant was a role of mezzo-soprano Jade Tan as the knowing Giannetta, a
not so innocent high society girl, in a memorable SLO debut. Just to complete
the cast, the matinee on Sunday would feature a younger main nucleus with Teo
Kai Xin (as Adina), Jonathan Charles Tay (Nemorino) and Alvin Tan
(Belcore).
The
SLO Orchestra conducted by Joshua Kangming Tan was generally excellent from the
opening Prelude and all through the ensemble work, sensitive enough not to
overwhelm the singers. Repetiteur Aloysius Foong ably provided piano
accompaniment, while Yap Zi Qi's bassoon and Eilidh McRae's harp did the
honours for Nemorino's hit aria.
Despite
decreased annual funding, the SLO still puts on a good show albeit once a year.
Can one hope for next year's ambitious offering of Verdi's Aida to be no
less of a hit?
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