1ST SOUTHEAST ASIAN STEINWAY
YOUTH PIANO COMPETITION FINALS
Yong Siew Toh Conservatory Concert Hall
28 July 2012)
This review was published in The Straits Times on 30 July 2012 with the title "Young virtuosos playing to win".
How do you bring together the best young piano talent in
Southeast Asia under one roof in celebration of the
world’s most recognisable piano brand? Steinway Piano and sponsor Bank Julius
Baer’s solution was to get each of the countries to organise a nation-wide
competition and then invite the winners to compete in Singapore, with the
overall champion getting the chance to perform in the grand Steinway Festival
Like football World Cup qualifiers, it was not going to be the fairest of fights. After all, how could tiny states like
Brunei or Singapore compete with the populous might of Indonesia or Vietnam? With Myanmar, Cambodia and Laos not involved, the geopolitics was also skewed
to include Taiwan and South Korea, both nations with highly established
Western classical musical traditions. China and Japan already have their winners booked to Germany and were thus excluded here.
The competition proper and adjudication had taken place in the day, and the Gala Concert just showcased nine finalists playing a representative piece each. Thankfully not everything on display was virtuoso fodder, but it gave fair indication who the winner was going to be.
Liszt was played by three pianists. Lorenzo Medel (16 years) of
Chopin also fared well.
South Korea’s Ha Gyu Tae (15) lent gravity and
solemnity to the C Minor Nocturne (Op.48
No.1), even if the climax lacked certain tension. This made the reading of the
B Major Nocturne (Op.62 No.1) by the
diminutive Jennifer Chrysantha (10, Indonesia) all the more astonishing. Her luscious
tonal colour and instinctive grasp of legato
and rubato were uncanny for one this
The judging was based on a full 15-20 minute programme, and so the deserving First Prize Winner Hsieh was obliged to perform an encore immediately after she was metaphorically crowned. Her stylishly lilting performance of Granados’s Los Requiebros (Flatteries), full of Spanish flourishes, was arguably even better than the Liszt. Unlike most football referees, the three-person jury from