Preliminary
Rounds
Day
5 Recital Three (7.30 pm)
Wednesday
29 May 2013
Everybody seems to love YEKWON SUNWOO (South Korea), and they
cannot believe he was merely a substitute pianist in this competition. The unusual
choice of the Strauss-Grunfeld waltz that opened his first phase now becomes
more apparent. He has built both his preliminary round recitals on the subject
of Vienna. This is truly inspired programming indeed. For the second phase
recital, he began with Scarlatti’s Sonata
in D minor (K.213), a gem of a piece which showed that sadness has its own
voice. Then came Schumann’s Faschingsschwank aus Wien (Carnival Jest in Vienna), a series of
dances and interludes which sparkled in his hands. After Leon Kirschner’s brief
and palate-cleansing Interlude No.2,
his closing piece was Ravel’s La Valse,
in a performance that began lean, shorn of cholesterol and corpulent excesses, rhythmically
steady, but built up a head of steam to finish with the perfect embodiment of decadence
and chaos. A thrilling performance, to say the least. Standometer: ***1/2
My
view:
A strong performer that gets even better.
SEAN
CHEN (USA),
the Beatles mullet guy, had the courage to programme only one work in his recital,
which happened to be Beethoven’s mighty Hammerklavier
Sonata (Op.106). I won’t yet call it a travesty but his interpretation
sounds like a revisionist one. What are they teaching them at Juilliard and
Yale these days? He nails every page with the determination of a power-lifter
and hardly misses a note, but it is the glib superficiality of it all that
rankles. He treats the great work like some exercise workout routine and
morning calisthenics, and having done that, ponders what the next conquest will
be. This is a Hammerklavier as
conceived by Ringo Starr and Carly Rae Jepson. Call me maybe? The charm and
grace he exuded in the first phase had all but evaporated. Standometer: *** (quite amazingly, probably because he’s American)
My
view:
Sorry to spoil the party, but this doesn’t do it for me.
To be honest, I had pre-ordered the DVD
of this second phase recital by China doll FEI-FEI
DONG (China) in anticipation of her sterling performance of Scarlatti,
Debussy and Liszt. Thankfully she did not disappoint. The two Scarlatti sonatas
– in D major (The Chase) and F minor –
were wonderful studies in contrasts, while she made most of Debussy’s early Danse or Tarantelle Styrienne, which sounded balletic and almost orchestral
in her hands. And the Liszt B minor Sonata
was quite splendid. Even if she did not have the same blood and guts as Alex McDonald
(which firmly sticks in the mind), she certainly had the raging hormones that mummy’s
boy Khozyainov lacked. Although Dong is only two years older than the Russian,
this sounded like a real performance from the cauldron of life. Standometer: ***
My
view:
Win or lose, Fei-Fei is on her way to Singapore. They will love her here (or
there).
Wrap–up: Possibly the
strongest day of the competition so far, I look forward to seeing KHOZYAINOV, DELJAVAN, GILLHAM, ZUBER,
CHERNOV, SUNWOO and DONG all
advancing.
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