SCHUMANN
Piano Works
IMOGER
COOPER, Piano
Chandos
10755 & 10841 / *****
These are the first two discs of what
appears to a recorded cycle of piano works of German Romantic composer Robert
Schumann (1810-1856), by esteemed British pianist Imogen Cooper, offering very
satisfying fill-ups by composers of his immediate circle.
The first CD showcases Schumann as a
supreme craftsman of both miniatures and larger canvasses. His eight Fantasiestucke
Op.12 (Fantasy Pieces) runs the full gamut of expression, from the
blissful calm of Des Abends (Evening), virtuosic upheavals of In der Nacht (In The Night) and the flight of whimsy in Traumes
Wirren (Restless Dreams). Also in eight but linked parts is Kreisleriana
Op.16, one of his greatest rhapsodic works, inspired by author E.T.A.Hoffmann's
literary creation. The Theme and Variations in D minor (from the First
String Sextet) by the precocious Johannes Brahms, who was a young
confidante of the Schumanns, makes a sober but apt addition.
The second disc is dominated by the
multi-part Humoreske Op.20, another work alternating lyricism and
turbulence (although less stormy than Kreisleriana), and the First Sonata in F sharp minor Op.11, the
most often performed of his three sonatas. One point of interest is the
inclusion of his teenaged wife-to-be Clara Wieck's Le Ballet des Revenants
(Op.5 No.4), which shares the same theme as the 1st movement
exposition of the sonata. Cooper performs these in succession, establishing the
thematic and emotional links between the two lovers. The performances in both
discs are unfailingly musical and enhance the appreciation of the Schumanns and
their world.
1917
WORKS FOR VIOLIN & PIANO
TAMSIN
WALEY-COHEN, Violin
HUW
WATKINS, Piano
Signum
Classics 376 (2 CDs) / ****1/2
The year 1917 was a tumultuous one.
Europe was still in mired in war while the Russian tsar had just been
overthrown. Music was entering into a modernistic, iconoclastic and atonal
phase. The works on this album by four major composers, all written in this
year, recorded their reactions to the earth-shaking events around them. All are
tonal but radically different.
Debussy's Violin Sonata in G minor was conceived near his death, a brief
rhapsodic work that meant to freely espouse French aesthetics while repudiating
stolid German ones. Sibelius' Five Pieces
Op.81 have a salon quality and include a mazurka, waltz, rondino and minuet,
charming dances bringing to mind the bygone world of Kreisler's miniatures.
Respighi's Violin Sonata in B minor
is darkly hewn but concludes with a passacaglia, the ancient variations form
from the baroque. Elgar's Violin Sonata
in E minor also looks back with nostalgia to a more innocent age but not
without struggles to cope with the present.
Young British violinist Tamsin
Waley-Cohen coaxes a beautiful tone from her 1721 Stradivarius, capturing both
the dramatic and lyrical vistas of these works. Both she and pianist Huw
Watkins are vividly recorded, and this 85-minute recital (on 2 discs priced as
one) never fails to engage.
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