DVORAK
Complete Symphonies & Concertos
Czech
Philharmonic
Jiri
Belohlavek, Conductor
Decca
478 6757 (6 CDs) / *****
It was not until the late 1950s that it
was known that the celebrated Bohemian composer Antonin Dvorak (1841-1904) had
composed nine symphonies. Early recordings of the “New World” Symphony were
designated as Symphony No.5 in E minor, rather than No.9 as we
know it today. This box-set places the early symphonies in context with his
famous later ones and the well-trodden concertos. The first two symphonies,
composed in 1865, are ambitious works playing well over 45 minutes, mostly
influenced by Schumann. The Third
Symphony (1873), the only one in three movements, looks towards Wagner's progressive
style, and he began to develop his own distinctive voice in the Fourth and Fifth Symphonies (1874 & 1875) with Czech nationalism as a
driving force.
The last four symphonies are regularly
performed in concert and stand the test of posterity. The Czech Philharmonic
under Jiri Belohlavek invests an equal quantum of dedication to all nine of
them. They possess the spirit of the music literally in their veins, playing
with passion and authority that makes a chronologically guided listen to the
cycle a pleasurable experience. Five of the discs play for over 80 minutes, and
the first three symphonies are coupled with the Cello Concerto (with Alisa Weilerstein), Violin Concerto (Frank Peter Zimmerman) and Piano Concerto (Garrick Ohlsson). These too are very fine
performances, which confirm Dvorak as one of the great symphonists of the 19th
century
RESPIGHI
/ HINDEMITH / SCHMITT
Borusan
Istanbul Philharmonic
Sascha
Goetzel, Conductor
Onyx
Classics 4048 / *****
The Borusan Istanbul Philharmonic
Orchestra was founded in 1999, establishing itself to be Turkey's premier
symphony orchestra. In 2014, it was invited to perform at the BBC Proms
(together with orchestras from Singapore, China, South Korea and Australia) in
celebration of the globalisation of the Western orchestra. Like the Singapore
Symphony, it has positioned itself as an “West meets East” ensemble that
specialises in repertoire that bridges the cross-cultural divide. This debut
recording does just that, programmed with the theme of “Oriental femme
fatales”. None of the composers were genuine ethno-musicologists, thus their
music was largely based on their own exotic interpretations of Middle or Far
Eastern culture and aesthetics.
Ottorino Respighi's 4-movement Suite from
the his ballet Belkis, Queen of Sheba is hewn from the same opulent
canvas as his Roman Trilogy, with the addition of Arabian drums for that
extra element of exoticism. Paul Hindemith's Symphonic Metamorphoses on
Themes by Carl Maria von Weber works chinoiserie and fugal exuberance into
its second movement, inspired by the Chinese princess Turandot. Florent
Schmitt's symphonic poem The Tragedy of Salome is the longest work here,
more French impressionism and Oscar Wilde than anything truly Palestinian. The
performances are exciting and vividly recorded in this audio spectacular, even
if authenticism is in short supply.
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