VLADIMIR
HOROWITZ
PLAYS
GREAT SONATAS
Sony
Classical 88697884092 (10 CDs)
****1/2
What constitutes a great sonata? This
seems arbitrary as the piano sonatas in this box-set range from 2-minute masterpieces by Scarlatti to
half-hour mammoths from Liszt, Schumann and Schubert. One might argue that
whatever the Ukrainian-American virtuoso Vladimir Horowitz (1903-1989) touches
turns to gold, especially Scarlatti's single-movement harpsichord miniatures of
wit and wonder (there are 32 of them here).
He also exhibited a special
sympathy for the neglected Muzio Clementi, with several sonata movements, and
reignited an interest for Alexander Scriabin, whose Sonatas Nos.3, 5, 9 and
10 get definitive performances.
The electrifying side to Horowitz's
virtuosity is heard in Chopin's Funeral March Sonata, Schumann's Third
Sonata (also known as the Concerto Without Orchestra), Liszt’s Sonata
in B minor and Rachmaninov's Second Sonata,. He is less convincing in
Schubert's last Sonata in B flat major and Beethoven, where the playing
is often overstated.
From the 20th century, he practically owned
Samuel Barber's Sonata and Prokofiev's Seventh Sonata (he gave
the American premieres), and makes a good case for Kabalevsky's banal Third
Sonata. The only disappointment is the presentation as the lack of
programme notes for new listeners is unacceptable.
THE
CLARINOTTS
with
Wiener Virtuosen
Deutsche
Grammphon 481 1917 / *****
The Clarinotts is the world's foremost
clarinet family, formed by Vienna Philharmonic Principal Clarinettist Ernst
Ottensamer and his sons Daniel (also a Principal in Vienna) and Andreas
(Principal of the Berlin Philharmonic).
Their debut album features original
works and arrangements for two and three clarinets, sometimes in combination
with basset horn (a member of the clarinet family with a slightly lower range),
performed with much zest and finesse.
Mendelssohn's Concert Piece No.1 (Op.113)
is a delightful repertoire work in three movements, with excellent interplay
between the sibs, Daniel on clarinet and Andreas on basset horn. Franz &
Karl Doppler's Rigoletto Fantasy for three players was arranged from the
original for two flutes, and luxuriates in popular melodies like La Donna E
Mobile, Caro Nome and Quartet Bella Figlia Dell'Amore.
Also of operatic origin is the trio Soave
Sia Il Vento from Mozart's Cosi Fan Tutte, while Rossini's La
Danza with the pastorale from William Tell Overture as introduction
is operatic in its intensity and outward display. The longest work is Bela
Koreny Cinema I, conceived as dramatic movie music with a jazzy vibe.
Serving as encores are Luiz Bonfa's popular Manha De Carnaval and the
thrills and spills of Olivier Truan's The Chase, which complete a highly
enjoyable hour.
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