Showing posts with label Chen Han. Show all posts
Showing posts with label Chen Han. Show all posts

Monday, 31 October 2011

3RD HONG KONG INTERNATIONAL PIANO COMPETITION / Winners Announced

The results of the 3rd Hong Kong International Piano Competition were delivered shortly after 10.20 pm, which did not take very long to arrive. According to Chairman of the Jury Vladimir Ashkenazy, the decision was unanimous. By 10.30 pm, everybody was ready to go home, but many stayed behind to meet and greet and have their photos taken.

The final placings were as follows:

FIRST PRIZE: Giuseppe Andaloro (Italy)
SECOND PRIZE: Sato Keina (Japan)
THIRD PRIZE: Tsai Min Hao (Taiwan)
FOURTH PRIZE: Ann Soo Jung (South Korea)
FIFTH PRIZE: Elmar Gasanov (Russia)
SIXTH PRIZE: Chen Han (Taiwan)

Giuseppe Andaloro learns he has just won the 3rd HKIPC.

Even at 14 years of age, Tsai Min Hao (red and white stripes) stands out among the throng.

Prof. Li Mingqiang congratulates Andaloro as Ashkenazy looks on.

Garrick Ohlsson has some words for the winner too.

All the winners, Jinsang Lee (2008), Ilya Rashkovskiy (2005) and Giuseppe Andaloro (2011) with Vladimir Ashkenazy and Drs Andrew and Anabella Freris. Winners all!

A lovely Korean pair: Jinsang Lee and Ann Soo Jung.

Chen Han with the Boss.

Peter Frankl congratulates Sato Keina.

The winners have a victory smoke.

HONG KONG INTERNATIONAL PIANO COMPETITION 2011 / Finals Day 3, Part 1



HONGKONG INTERNATIONAL PIANO COMPETITION 2011


Finals Day 3 (Sunday, 30 October 2011)



CHEN HAN (Taiwan)




The second of two Taiwanese boys, 19-year-old Chen Han, opened the evening with Howard Blake’s Speech after Long Silence. Playing from a score, his was a glacial account, very slow to the point of being stultifying. Soporific might be the more appropriate term, and it sounded very much like a struggle. However there was some method to this madness, as if it were a protracted rubato, making the faster passages sound more brilliant in comparison. This extreme swing in dynamics also had the uncanny effect of reminding one of Scriabin’s more frenzied pages, so it all worked out in a weird way.


Only in a piano competition will one get to hear two performances of Rachmaninov’s Third Piano Concerto in the space of one evening. It’s either piano heaven or an overdose of romantic excess. In either case, the results can be quite exciting, as tonight proved. The first performance of Rach 3 came from Chen Han, who is studying at The Juilliard School. His was a steady and quietly confident account, as if keeping his emotions in reserve until some pivotal movement. I waited, and that moment did not occur in the first movement, which sounded for most part restrained and small scaled. The lyrical second subject was lovingly shaped, which underlined the young man’s sensitivity and sensibilities. The choice of the lighter and more scintillating cadenza was the right one, as the brooding chordal alternative would not have been appropriate here.


The slow movement’s orchestral introduction was taken a little too slowly, in fact it dragged, but Chen’s entry was excellent and it was here when his performance began to take wing and soar. The whimsical little waltz episode was brilliantly dispatched, a good prelude for the finale’s fest of prestidigitation. His fingers did not fail him for a second, and if there were a point of regret, it was he did not shape the movement’s soaring (and more vital) second with greater clarity. There were two chances for it, and he did not make the big melody happen. And there was also a tendency to rush the fences, almost leaving the orchestra in his wake. Nevertheless, this was a performance which grew in stature, and one that made a listener care about the music and the performer.


My verdict: This young man has potential and bears watching, and even if he does not win here, the experience would have been immense.

HONG KONG INTERNATIONAL PIANO COMPETITION 2011 / Finals Day 3, Part 2



HONGKONG INTERNATIONAL PIANO COMPETITION 2011


Finals Day 3 (Sunday, 30 October 2011)



ANN SOO JUNG (South Korea)




Appearing in a stunning orange gown, the pretty young Korean is an artist who can also make heads turn in many ways than one. In my humble opinion, she gave the most beautiful account of Bake’s Speech. Even playing with a score, her conception of the work as a nocturne was breathtaking, delighting in its lyrical beauty yet revelling in its turbulence. In fact she combined the best qualities of the earlier readings in a sumptuous whole which bears repeated listening.


Her Rach 3 was to be totally different from Chen’s. While the young man was happy to go along with the flow, Ann seemed to dictate the pace and proceedings. She had better sound projection and articulation, and one could sense her going for broke even at an early stage. Although always conscious of making a beautiful sound, the risk-taking had its drawbacks, the number of lapses and flurry of wrong notes was to dog the performance, most notably in the opening movement. Like Chen, she played the shorter mercurial cadenza, even though she might have succeeded with the bigger-boned one. Perhaps it was a case of damage limitation.




The second movement worked much better for her, and it was sheer delight through its rapturous pages, and the ensuing rush into the hectic finale. One has to feel for her as not all the notes were there for the Alla breve finale, and there was an uneasy sense of an accident waiting to happen. However she delivered the big melody well, on both occasions, as the performance worked to a heady conclusion. Here she gave her best shot, and even if this was not to be her day, it was an admirable effort. Her conception and view of the music and its trajectory was close to perfect, it was the execution which fell short.




My verdict: A very musical if flawed account of Rach 3 may have put paid to her chances of a top three finish. Would still definitely want to hear her again.




Having not heard the earlier rounds, I hazard to make any predictions of the final placings, lest one gets egg splattered on the face. However based on the showings in the concerto finals, my choices were as follows:




Winner (Numero Uno): Giuseppe Andaloro


Most raw potential: Tsai Min Hao


Best performance of Blake: Ann Soo Jung