3RD
STEINWAY YOUTH
PIANO COMPETITION
PIANO COMPETITION
GALA
CONCERT
Victoria
Concert Hall
Saturday
(11 June 2016 )
The 3rd
Steinway Youth Piano Competition culminated with a Gala Concert at Victoria
Concert Hall, following two elimination rounds that involved almost 150 young
pianists from Singapore . There were three
categories based on age-groups, with the finals of each taking place earlier in
the day. The Gala Concert featured three pianists from each category performing
a chosen showpiece that best highlighted their abilities.
First, there were the usual speeches and
pleasantries involving Steinway Singapore and major sponsor Bank
Julius Baer, and slick video presentations featuring each of the nine finalists
spouting sweet nothings and platitudes. When asked who their favourite pianists
were, one cited Liszt, and another Mozart and Kabalevsky (really?). Had they
heard Mozart or Liszt perform on Youtube, or knew that the Soviet composer
Dmitri Kabalevsky was a politically-connected apparatchik and rather unpleasant
personality? Others named Lang Lang (always a dubious choice) and Krystian
Zimerman (much better), but no Argerich, Horowitz or Rubinstein? Let us hope
they played better than they talked.
First to perform were the Category 1
pianists, essentially children, with 8-year-old Jolene Chow, also the
youngest finalist, opening the show with the 3rd movement from
Kabalevsky's Sonatina in C major. Highly confident, she displayed a most
fluent and fluid of techniques. Her very crisp articulation stood out in this
rather banal music, and was able to bring out more dynamic shades and colours
thought possible. An excellent start to the competition.
Next was Chan Yan (10 years old)
whose choice of Tchaikovsky's May from The Seasons was not an
outright showpiece. Its slow opening was however well-handled, with a certain
nobility in her phrasing avoided tedium that often comes with more leisurely
pieces. The faster central interlude which flowed lyrically also provided good
contrasts with the outer sections.
Jaden Tan (10) was the only
pianist in the evening to play Mozart, the 1st movement from his Sonata
in B flat major (K.333). It is said that professionals find Mozart too
difficult and amateurs find Mozart too easy. There was an outright facility to
Tan's playing, which flowed like oil (Mozart's favourite description) and he
produced a pleasant sound. With time, he will learn how to make Mozart's fast
movement come across less like like “sewing machine music”.
My pick: Jolene Chow, for her
natural flair and complete lack of nerves.
Category 2 featured the tweens to
early teens, and Yap Hwa Sheng (12) opened with an excellent account of
Albeniz's Castilla (Seguidillas). His rhythmic accuracy,
pin-point articulation and placing of accents in this tricky number was a joy
to behold. A stronger and more sparkling performance was be hard to find.
Elizabeth Tan (13) followed with
Mendelssohn's Andante and Rondo Capriccioso Op.14. The slow introductory
section brought out a singing tone, leading to the scherzo-like fast section
with its fairy-light flittering of wings. There were some minor mistakes and
the pace slagged a little in the centre, but she finished strongly with a
flurry of octaves and chords.
Standing heads and shoulders above the
competition was Lim Shi Han (14), both physically and figuratively,
whose choice of the Hymne and Toccata from Poulenc's Trois
Pieces was an inspired one. The was muscular heft in the opening chords of
the Hymne, bringing to mind the pomp of Poulenc's Gloria, was
balanced by a mastery of dynamic changes in the contrasting quiet moments. She
unleashed a tour de force in the clattery Toccata, for which she lacked
nothing in agility and endurance, bringing her performance to a brilliant
conclusion. Here, her advantage of age and maturity clearly showed.
My pick: Lim Shi Han, for an
excellent and wonderfully nuanced show in music not commonly heard.
Category 3 was the most mature age-group,
and the competition also seemed the keenest here. First to perform was Joel
Tan (15), whose choice of Albeniz's Triana from Iberia ranked as the
technically most difficult work on show for the evening. He coped very well
with its rhythmic and dynamic intricacies despite starting off tentatively,
bringing the work to boil in the climax of a polished and accomplished reading.
With time, he will get better in this masterpiece which for some years was a
compulsory set piece in the demanding Hong Kong International Piano
Competition.
Nicole Ng (16) displayed the
maturity required for a work not as obviously showy as Brahms Capriccio
in G minor (Op.116 No.3). There was an appropriately passionate and impetuous
response for its opening, which was well-contrasted with the chordal slower
central section. There were a few wrong notes, but that should not diminish
the stature of this performance.
The last pianist to perform was Wang
Huang Hao Jia (15), whose choice of Granados' Allegro de Concierto
highlighted all his strong suits. A more outwardly showy but less challenging
work than the preceding Triana, it seemed like putty in his hands. The
glittering opening fluorish was not just a blind display of flying fingers, and
the slower bits were played with a knowing sense of drama and expectant
emotions before unleashing a final ebullient salvo to close the evening on a
high.
My pick: Wang Huang Hao Jia for a
consummate mastery of a how a brilliant showpiece should sound.
The international jury headed by Mina
Perry (extreme left on photo above) awarded the following prizes:
Category 1
1. Jolene Chow
2. Jaden Tan
3. Chan Yan
Category 2
1. Lim Shi Han
2. Yap Hwa Sheng
3. Elizabeth Tan
Category 3
1. Wang Huang Hao Jia
2. Joel Tan
3. Nicole Ng
Bingo, on three counts! The pianist
selected to represent Singapore was Wang Huang Hao Jia
who will competed in the East Asia regional finals in Kuala Lumpur in July. The winner of
that round will go on to perform at the Steinway Festival in Hamburg later in the summer.
Well done, young pianists! The future of
piano music in Singapore looks very bright indeed.
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