Wednesday, 19 May 2021

A SONG FOR LOUIS / Louis Soliano & Friends / Review



SINGAPORE INTERNATIONAL 

FESTIVAL OF ARTS 2021:

A SONG FOR LOUIS

Louis Soliano & Friends

Victoria Theatre

Friday (14 May 2021)


An edited version of this review was published in The Straits Times on 19 May 2021 with the title "Soliano shines in starry tribute".

 

This latest edition of the Singapore Festival of Arts (SIFA) was a time for reflection and contemplation as the nation emerged from the pandemic crisis. However, this all changed with the announcement of a new lockdown arising from increased number of Covid cases detected.

 

The pair of tribute concerts organised for local jazz legend and Cultural Medallion recipient Louis Soliano were affected by new event restrictions imposed. The original audience size of 150 had to be reduced to 100 for each show, which was a pity but small blessings given that both would have been cancelled if held two days later.

 

An air of expectancy hung over the proceedings as socially-distanced patrons took to their seats. There was no mingling, but greetings were cheerily exchanged over rows and aisles. Warm applause erupted when the performers emerged behind a screen illuminating the 79-year-old maestro’s lifetime landmarks playing Wes Montgomery’s West Coast Blues. Soliano was born to migrant musicians and made his name performing drums in hotel lounge bands, and playing for American GIs during the Vietnam War. A storied career ensued before the Cultural Medallion in 2018 became his crowning achievement.

 

His collaborating performers read like a Who’s Who in Singapore’s jazz scene. Vocalist Joanna Dong was the chirpy host, styling Gershwin’s S’Wonderful before ushering in Malay pop icon Rahimah Rahim’s deeply felt rendition of P.Ramli’s Getaran Jiwa. On a video sent from Australia, Don Gomes accompanied himself on piano in Cole Porter’s Just One Of Those Things.

 

The irrepressible Richard Jackson gave a masterclass in scat-singing and ad-libbing in Chick Corea’s Spain, partnered by an equally free-wheeling flautist Rit Xu,, but where was Louis? Forty minutes into the show and midway through Paul Desmond’s Take 5, the diminutive figure of Soliano sashayed onstage to join Jackson in the improvisation.

 

The physical disparity between the two was obvious, but the wizened veteran commanded the stage with a rich and low bass-like voice that belied outward appearances. Size does matter, it seemed. Now making himself comfortable on a drum-set partnered by pianist Jeremy Monteiro and bassist Tony Makarome, the trio polished off Jules Styne’s Just In Time. Speaking about time, the 50 minutes in which Soliano appeared passed much faster that the 40 minutes that came before. Call this relativity, but this listener defers to that elusive factor called star quality.

 

With fellow drummers Bobby Singh (doubling on tabla), Jimmy Lee and Tama Goh, the quartet of percussionists had whale of a jam before the entire crew returned for Duke Ellington’s Caravan. Harry Warren’s mash-up of  The More I See Of You and There Will Never Be Another You saw the more reflective side of Louis the vocalist. He had to close on an upbeat high, and so Charles Strouse’s A Lot Of Livin’ To Do did the trick.

 

As an encore, Louis with Monteiro and guitarist Andrew Lim ended the evening with Hoagy Carmichael’s Stardust, and this was amply rewarded with a well-earned standing ovation.      

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