Showing posts with label Dr Marc Rochester. Show all posts
Showing posts with label Dr Marc Rochester. Show all posts

Friday, 13 May 2022

IN MEMORY OF A PROFESSIONAL LISTENER: DR MARC ROCHESTER (1954-2022)


Taken from Marc Rochester's Facebook


IN MEMORY OF A 

PROFESSIONAL LISTENER:

DR MARC ROCHESTER (1954-2022)

 

It is with much sombreness and sadness that we learn of the passing of Dr Marc Rochester, British music critic, music educationist, concert organist, choirmaster and sometime school bus driver who had been an eminent personality in the classical music worlds of South East Asia over the past four decades. He left this world on 5 May from his home in Scotland, leaving behind beloved wife Magdalene and daughter Prisca.



 

He was a senior lecturer (Contextural Studies) in the Yong Siew Toh Conservatory of Music until his retirement last year. From 2010, he regularly wrote concert reviews for The Straits Times and was the official music annotator for three professional orchestras, the Singapore Symphony, Malaysian Philharmonic and Hong Kong Philharmonic. He was extremely knowledgeable especially in the arcane vistas of music history, and his programme notes a fount of interesting information (and irreverent trivia) besides being refreshingly informal, and most of all, always filled with wicked wit. He always regarded himself as a “professional listener” rather than that crusty and self-important epithet, that of a music critic.   


Marc with his colleagues at YST,
Drs Adeline Wong & Craig de Wilde,
at the 2018 Singapore International Violin Competition.

 

I first saw him in 1999 when he travelled with the newly-formed Malaysian Philharmonic on its debut performances in Singapore, where he performed the pipe organ part of Tchaikovsky’s Manfred Symphony at Victoria Concert Hall. It was several years later on another MPO tour when we actually met at Esplanade Concert Hall, and clicked instantly. He was ever-friendly and regularly regaled me with stories about Asia’s newest hot-shot orchestra, with its fair share of triumphs and misadventures.


What do you call a group of music critics?
Marc's preference was for the word "gaggle".
Taken at OMM's Mahler Second Symphony 
performance at Esplanade in 2010.

 

After he moved his base from Kuala Lumpur to Singapore, I got him on board the music reviewing team of Life!, The Straits Times’ lifestyle pages. The national daily could certainly do with a diversity of voices and someone of his vast experience, having been a reviewer for Gramophone and the highly-respected but now-defunct International Record Review. His acute observations about performances were invaluable, his free-wheeling way with words always enjoyable to read, not to mention his unforgettable put-downs.


Names redacted to protect the guilty.

 

He was known to be an equal opportunity music critic, that is every artist or performing group had an equal right to be criticised or slammed. He had a special relish for that time of season when The Straits Times requested for the “Worst Concert of the Year”, which he duly supplied with a wicked glint in the eye. Artists with pretentions, puffed-up with pompous self-promotion were fair game for his opprobium, with little regard for their stations in the musical world.  He once remarked, “I’ve never given a bad review, but reviewed plenty of bad performances!” The exceptions were music students and young up-and-coming artists, who received nothing less than appropriate plaudits and whole-hearted encouragement.

 

A victim of my crazy musical lookalikes:
Marc with his twin and doppelganger
German conductor Kurt Sanderling


Outside of music, he was an ever-hospitable host. My family was once invited to a dinner at his East Coast Road home, where he had invited a young Malay guzheng player to enthrall all present with his virtuosity. On more than one occasion, I urged him to write a book about his extremely colourful life and travels (and travails) in classical music, but sadly that opportunity has been lost. However, we still have his wonderfully eventful and erudite blog (Dr Marc's Blog (marcrochester.com)),which is filled with his rants and raves, innumerable gems and nuggets of insights, all imprinted with his irrepressible and inimitable writing style. Long may that stay online as a fitting tribute to one who loved, worshipped and celebrated good music like no other.

 

Marc, your humour, humanity and hilarious stories will be missed by us all. 


Is the Golden Age of Music Reviewing
in Singapore over? Discuss.

Update: 
Marc's last blog is no longer available for viewing but some of his earlier essays and articles may be found here:



As I regularly leaf through pages of old copies of Gramophone, International Record Review or music review websites, and come across very well written reviews of a wide variety of music, I will inevitably look for the name of the reviewer. More often than not, the name is Marc Rochester. Thank you, Dr Marc, your influence continues even long after you have left us. 

Monday, 30 April 2012

Goodbye Dr Marc... For Now


The classical music scene in Singapore will be poorer with the absence of a personality such as Dr Marc Rochester, esteemed Gramophone and International Record Review music critic and official annotator of Singapore Symphony Orchestra's programme notes, who leaves our shores for the deserts of the Middle East in May. Hopefully this would be a short hiatus when he takes a breather from the crazy musical world of Southeast Asia to the international music festival in oil-rich Abu Dhabi.

Marc and his lovely family arrived in Singapore four years ago, having left his post at the oil-rich Malaysian Philharmonic Orchestra where he was its musical consultant, organist and annotator. My first impulse was to grab him to write concert reviews for The Straits Times, its readers having been inflicted with my point of view for long enough and deserved an alternative voice. We shared reviewing duties, especially increasingly on evenings when there were concerts at both Esplanade and Yong Siew Toh Conservatory. "No good concert should be left uncriticised," seemed to be our shared mission, and it was great see our reviews side-by-side (great for me, at least). There was one crazy weekend in last August which saw four of our concert reviews appear in the Monday morning post!



Marc's reviews are always insightful, entertaining and often hilarious. He will always get you to see his point of view, even if you do not necessarily agree with it. Never shying away from being totally frank and honest, controversy is always around the corner. You can catch his must-read, no-holds-barred blog at:

http://drmarcsblog.marcrochester.com

Perhaps it takes a non-Singaporean to burst the myth that Esplanade Concert Hall's acoustics are perfect and without blemish, or to state point blank that the SSO does not hold a candle to the MPO (for now, that is), or that the classical musical scene in Singapore is provincially amateurish. It has cost him some a fair bit, knowing that Esplanade (Singapore's biggest presenter of classical music) has dispensed of his writing services as a result of his opinions. It is wholly their loss, not his. 

He is almost always right, and as a mirror held against our pretensions, he tells it as he sees it, and we would be fools to ignore him (like our provincially amateurish classical radio station invariably will). For all this, we say "Thank You" and I hope the powers that be do listen, take notes and actually do something about it. Perhaps The Arts House would replace their Shigeru Kawai (Marc's bete noire) with a Steinway grand!  


Singapore's "Golden Age" of music criticism? Discuss.